Oliver Hurst
Theatre Director
Theatre Maker
Oliver Hurst (He/Him) is Artistic Director of Red Brick Theatre. He is a director with a commitment to telling stories exploring memory, grief and human relationships with time. Oliver won the Royal Exchange Hodgkiss Award 2024 and is a member of the Young Vic Fresh Directions cohort 2023/24.
He is currently assistant directing Josh Roche on a dazzling revival of Oscar Wilde’s The Importance of Being Earnest at the Royal Exchange, and developing Bad Moult (Winner of the Cambridge Playwrighting Award) by Robin Cantwell, which will premiere in Manchester this summer.
Recent directing credits includes the first professional UK revival of Simon Stephens’ Pornography since 2009, The BBC’s First Homosexual as part of the BBC100 celebrations, and Sour Milk by Jonathan Mitchell
Credits
ASSISTANT DIRECTOR, Royal Exchange Den Festival, Royal Exchange Manchester, 2 Weeks, 2024
ASSISTANT DIRECTOR, The Importance of Being Earnest, Royal Exchange Manchester, 6 Weeks, 2024
ASSOCIATE DIRECTOR, A Number, 53two Manchester, 3 Nights, 2024
SHADOWING DIRECTOR, Sweat, Royal Exchange Manchester, 5 Weeks, 2024
DIRECTOR, Love and Information, New Adelphi Theatre, 3 Shows, 2024
ASSISTANT DIRECTOR, American Buffalo, The King's Arms Salford, 2 Weeks, 2024
DIRECTOR, SOUR MILK, The King's Arms Salford, 1 Week, 2023
DIRECTOR, Pornography, 53Two, 1 Week, 2023
DIRECTOR/PRODUCER, BRICKS, 53Two, 2 Weeks, 2023
DIRECTOR, The BBC's First Homosexual, New Adelphi Theatre, 2 performances, 2022
DIRECTOR, Brick by Brick: Monologue Event, 53Two, 3 nights, 2022
DIRECTOR, Sea Wall, 5Two, 3 nights, 2022
DIRECTOR, The Outside Dog, 5Two, 3 nights, 2022
DIRECTOR, The Dumb Waiter, The King's Arms, 3 nights 2022
DIRECTOR, Sour Milk, GM Fringe, 3 nights, 2021
DIRECTOR, Road (R&D), New Adelphi Theatre, 1 performance, 2021
DIRECTOR & PERFORMANCE ARTIST, Crave, Digital Performance, 2021
Training
Royal Exchange Hodgkiss Award 2024
Young Vic: Fresh Directions cohort 2023/24
University of Salford: First Class Honours in Theatre and Performance Practice