Nina Kunzendorf
Theatre artist
Researcher
I am a theatre artist and PhD candidate in the Department of Politics and International Relations and the Department of Theatre and Performance at Goldsmiths, University of London. My thesis explores how the theme of ‘female vengeance’ has played out in twenty-first-century theatre productions of Euripides’s canonical play 'Medea'.
My research interests broadly concern feminist and queer theories on performativity, representation, and the body-space relationship. My diverse artistic practice began as a set designer for theatre. I have since worked in various combinations as a designer, writer, director, performer, and filmmaker across theatres in London, Edinburgh, Munich, Copenhagen, and Oslo.
My pronouns are she/her.
Credits
DRAMATURG, 'I am the guest. You are the host. Dance is the ghost.', National Academy of the Arts, Oslo (NO), 4 days, 2023.
SET DESIGNER AND FILMMAKER, 'Don Giovanni', Airbus Orchestra WFH, Munich/Ottobrunn (DE), 2 days, 2022.
CO-DIRECTOR, CO-WRITER, CO-DESIGNER, PERFORMER, 'The ship sank. Where on deck did my captain lie?', Zoo Venues, Edinburgh Festival Fringe (UK), 4 weeks, 2019.
CO-DIRECTOR, CO-WRITER, CO-DESIGNER, PERFORMER, 'Phrases to be used upon…', Platform Theatre, London (UK), 3 days, 2018.
Training
2022 – date: PhD
Department of Politics and International Relations & Department of Theatre and Performance; Goldsmiths, University of London
2020 – 2021: MA Art & Politics
Goldsmiths, University of London
2019: Writing Drama
Department for Continuing Education; Oxford University
2015 – 2018: BA Performance: Design and Practice
Central Saint Martins, University of the Arts London
2014 – 2015: Foundation in Art and Design
Central Saint Martins, University of the Arts London
2005 – 2013: German Abitur
Gymnasium Max Josef Stift, Munich (DE)