Ali Hunter

I am a lighting designer working in theatre and dance. I studied languages and literature before starting my career in theatre, so I take a dramaturgical approach to my role. I work collaboratively and I am interested in make accessible work in creative and sustainable ways. I mentor lighting design students and emerging choreographers and lead workshops about lighting design.

My portfolio is available at: alihunterlighting.co.uk

My pronouns are she/her.

Credits

LIGHTING DESIGNER, Samskara, The Yard, 4 weeks, 2021
LIGHTING DESIGNER, Brief Encounter, The Watermill, 4 weeks, 2021
LIGHTING DESIGNER, Small Change, Clapham Omnibus, 4 weeks, 2021
LIGHTING DESIGNER, The Man Who Wanted to be a Penguin, Stuff and Nonsense, 4 weeks/tour/filmed, 2020
LIGHTING DESIGNER, Deuce, The Place, 1 night, 2020
LIGHTING DESIGNER, Fix, Pleasance Islington, 4 weeks, 2020
LIGHTING DESIGNER, Benched, The Place, 1 week, 2020
LIGHTING DESIGNER, The Fairytale Revolution, Theatre503, 4 weeks, 2019
LIGHTING DESIGNER, Sugar, Open Clasp, Digital Theatre, 2019
LIGHTING DESIGNER, Out of Sorts, Theatre503, 4 weeks, 2019
ASSOCIATE LIGHTING DESIGNER, Hot Mess, Candoco, R&D and Tour, 2019
LIGHTING DESIGNER, Cash Cow, Hampstead Theatre, 4 weeks, 2019
ASSOCIATE LIGHTING DESIGNER,The Half God of Rainfall, Birmingham Rep and Kiln, 6 weeks, 2019
LIGHTING DESIGNER, Muckers, The Egg/Conde Duque, Tour, 2019
LIGHTING DESIGNER, Soft Animals, Soho Theatre, 3 weeks, 2019
LIGHTING DESIGNER, Don't Forget the Birds, Open Clasp, Tour and Filmed, 2018
LIGHTING DESIGNER, Clear White Light, Live Theatre, 4 weeks, 2018
LIGHTING DESIGNER, The Play About my Dad, Jermyn Street Theatre, 3 weeks, 2018
LIGHTING DESIGNER, Isaac Came Home from the Mountain, Theatre503, 3 weeks, 2018
LIGHTING DESIGNER, Rattlesnake, Open Clasp/Live Theatre, Tour and Filmed, 2017
Katzenmusik, Royal Court, 1 week, 2017

Training

Julie's Bicycle Creative Green Webinars, 2020
RADA, PGDip, Lighting Design and Stage Electrics, Distinction, 2015-16